View News Items from prior months... April 2024 March 2024 January 2024 November 2023 October 2023 September 2023 August 2023 July 2023 June 2023 May 2023 April 2023 March 2023 February 2023 January 2023 November 2022 October 2022 August 2022 July 2022 June 2022 May 2022 April 2022 March 2022 January 2022 December 2021 October 2021 March 2021 February 2021 November 2020 September 2020 August 2020 June 2020 March 2020 October 2019 September 2019 May 2019 January 2019 November 2018 October 2018 March 2018 January 2018 November 2017 October 2017 March 2017 December 2016 September 2016 June 2016 May 2016 March 2016 February 2016 November 2015 August 2015 July 2015 June 2015 May 2015 April 2015 January 2015 December 2014 November 2014 October 2014 August 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 | Musica Pacifica: Dancing in the Isles by Steven Ledbetter It is likely that a good part of the crowd surging toward Jordan Hall late in the evening on Friday night to hear an 11 o’clock BEMF performance by Musica Pacifica had a good idea of what to expect. I did not. This San Francisco-based ensemble consisted of seven superb players who presented a delightful program largely made up of dance tunes from the British Isles: Ireland, Scotland, and England. The ensemble consisted of recorder (Judith Linsenberg), two violins (Elizabeth Blumenstock and Robert Mealy), viola da gamba and cello (David Morris), lute and guitar (Charles Weaver), harpsichord (Charles Sherman), and percussion (Danny Mallon). Not all of them are based on the West Coast, but when they get together as Musica Pacifica, some magic happens. - The Heifetz of the recorder- Steven Ledbetter Published: 06/20/15 The Story of Friedrich Von Huene: Well-Tempered Woodwinds is now available... Friedrich von Huene (1929– ) is arguably the most important manufacturer of historical woodwinds in the 20th century. Since he began making recorders in 1958, von Huene has exerted a strong influence on the craft of building woodwind instruments and on the study of instrument–making, as he has helped to shape the emerging field of Early Music performance practice. Published: 06/05/15 |